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Swan Song (Schubert) : ウィキペディア英語版
Schwanengesang

''Schwanengesang'' ("Swan song"), D.957, is the title of a collection of songs written by Franz Schubert at the end of his life and published posthumously.
The collection was named by its first publisher Tobias Haslinger, presumably wishing to present it as Schubert's final musical testament to the world. Unlike the earlier ''Die schöne Müllerin'' and ''Winterreise'', it contains settings of three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). ''Schwanengesang'' was composed 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.
In the original manuscript in Schubert's hand, the first 13 songs were copied in a single sitting, on consecutive manuscript pages, and in the standard performance order. All the song titles are by Schubert, as Heine did not give names to the poems. (Reed 259) Tobias Haslinger, Schubert's publisher, collected the songs together as a cycle, most probably for financial reasons, as ''Die schöne Müllerin'' and ''Die Winterreise'' sold very well as collections. ''Taubenpost'' is considered to be Schubert's last Lied.
Franz Liszt later transcribed these songs for solo piano.
Schubert also set to music a poem named ''Schwanengesang'' D744 by Johann Senn, unrelated to this collection.
==An uncertain cycle==

On 2 October 1828, Schubert (after the manuscript had been written) offered the Heine set of poems to a Leipzig publisher by the name of Probst. We can assume, then, that Schubert – at least in the beginning – intended to publish the sets separately. In addition to this, the order of Numbers 8–13 as they appear in the manuscript is different from that of the poems as Heine published them (No. 10 followed by 12, 11, 13, 9, 8).〔Heine, Heinrich Buch Der Lieder https://www.gutenberg.org/cache/epub/3498/pg3498.html〕〔Reed, John. ''The Schubert Song Companion''. Mandolin: Manchester, 1997, ISBN 1-901341-00-3. pages 259–260〕 It was customary for Schubert to respect the poet's sequence; the manuscript may not represent Schubert's desired order. The Seidl song, ''Die Taubenpost'', has no connection to the rest of the cycle and was appended by Haslinger at the end to round up all of Schubert's last compositions.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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